You smell under his nose, he takes it with you patchouli. It is the arbiter of literary elegance, who wrote to despise most of our own writers in their novels because there is a hint of sauce and cooking. He praised by authors such as Giorgio Faletti and Alessandro Piperno and reserved his disapproval of many others. Some might wonder why a man is feared, as do the readers to consider a critic. In fact it is as if Oronzo Canà exchange for a prophet of football after seeing coach in football or Renato Pozzetto for a cartoonist because of This and That. It is the place to make him a critic respected, revered, then listened, without making us suspect that sia la parodia. Ovvero è grazie all’autorità e al potere che gli deriva dal pubblicare i suoi pezzi su Sette , l’allegato settimanale del Corriere della Sera . È una firma importante. O come recita con grande autolesionismo la scheda di prenotazione per le librerie del suo primo romanzo in uscita il prossimo ottobre: “… firma la più discussa, discutibile, indiscussa e indiscutibile, rubrica di libri che c'è, nella quale ha cercato di dare agli italiani il gusto di parlare di romanzi e di scrittori con la stessa competenza e passione con le quali di solito parlano di partite e giocatori di calcio”.
Sì, è lui, The Prince of Fane, Antonio D'Orrico. And as confirmed by the board - and stay in football terms - with a brilliant own goal Mondadori, writes about literature as to bar it comes to football.
And further to match bar talk and literature came the longed-for moment of his first novel. Title? Loosely based , SIS Mondadori published in the series, and the literary. Noblesse oblige. That is, as a powerful owner of a weekly column, the publisher is happy to please Antonio D'Orrico.
card that outlines the content (the previous sentence came from the biographical note) is reproduced here as it is, in full, it's worth it. And the parallel with the most trivial examples of parody and homemade Italian cinema is inevitable. If he had more courage than he could touch the sublime Last Tango in Zagarolo , 's Esorciccio or Ku-Fu? From Sicily with fury, but it's still too tied to literary models - out of reach for him - as we suppose, or Arbasino Isherwood. What makes it ludicrous and without the prospect of becoming a cult. The names of the characters to the plot, it does not need comments. Prosit.
Antonio D'Orrico Loosely based in bookshops from October 2010
In the living room of the beautiful Wild Venanzi, the most exclusive Rome, the young, hopeful and excited playwright Vittorio Campari is about to read his new job when Paolazzi Kashmir, the famous journalist , steals the scene and explains to her present yet another, amazing scoop: the invention of the atomic bomb laptop (like the phone) by an Italian scientist forced to emigrate because of the deplorable phenomenon of brain drain. Disappointed by the outcome of what was to be his night, the famous left scippatagli, Vittorio Campari returns to his small apartment in periphery decided to say goodbye to his dreams of literary glory and worldly. Yet that very night when all seems lost, occurs in the life of Victor an unexpected turn double, professional and sentimental, which catapulted him into a series of comic adventures, dramatic, dirty, romantic, Hollywood, Palermo, crazy and criminal.
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